Wednesday, November 27, 2013

Tony Williams. "Space, Place, and Spectacle: The Crisis Cinema of John Woo." Cinema Journal 36:2 (Winter 1997): 67-85.

Hong Kong cinema is undergoing a particular process of transformation influenced by historical, political and geographic factors that question its very identity . This is be in the works of directors uniform John solicit and Wong Kah Wai. The title Ive chosen is written by Tony Williams. Space, Place, and Spectacle: The Crisis Cinema of John Woo. It depicts much or less of the ideas that John Woo was reflecting in his photographic films. In John Woos work, he has always wanted to reach forbidden tabu to more than an oriental person audience. In the following(a) argument Ill be touching on how he uses the confederacy of westerly and eastern technics and motif to reach out to the lengthy audience, the non-oriental audience. The space and identity of Hong Kong, the hybridity and how his religious oscilloscope affects some of his film and also how his idea of having traditional set that John Woo always emphasize on like loyalty, honour, h cardinalsty, justice, and all egiance to family contradicts to his negative perspective on the 1997 handing over of Hong Kong from the British colony the mainland China. In John Woos film, he always tries to reach out further than the eastern audience. He does that by combining westbound technic with eastern motif easily understandable to non-oriental audience .
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