Roger Mais Brother Man, to a large extent fits into Aristotles system of chance as outlined in the Poetics. However, the first thing that whitethorn be questioned, when trying to fit Brother Man into Aristotles description, is the position that Aristotle suggests that the medium of tragedy is drama, not narrative; as, tragedy shows preferably than tells. How then can one apply this description to the keen-sighted Brother Man? Â Â Â Â Â Â Â Â Roger Mais cleverly structured his novel alike(p) to a dramatic piece. Brother Man is divided into five chapters - reminiscent of the five acts of a play. Additionally, the short episodes within separately chapter also suggest the scenes of a play. The novel whitethorn be further likened to a Classical Drama, as it utilizes a Chorus. Initially, the enunciate of people in the path whitethorn seem an entracte as opposed to a character itself (as Aristotle specifies) - fully incorporated and contributing to the unity of the plot. However, upon closer inspection, the chorus does more than and introduce each chapter. The chorus of people in the lane interprets treat, voices responses of the root word (representing the people of the lane), establishes the required mood and prepares the audience/ proof commentator for what unquestionablely happens. In this aspect, Mais chorus of people in the lane does borrow from Aristotles theory of a Tragedy.
        Yet, the issue still moldiness be turn to that Brother Man possesses (even though it may describe action) narrative. Mais may thus be transforming Aristotles notion of a trage dy by creating a stage in the headlands of ! his readers, as opposed to the action taking place in an actual theatre. In doing this, Mais grants his reader the role of both director and audience. The readers theatre, (or the mind of the reader) is now presented with a piece that indeed... If you want to get a full essay, establish it on our website:
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