Streamlining :: Norman Bel Geddes Theater Essays

Streamlining Ukrainian State Theater Foyer - Norman vitamin B Geddes, Horizons Norman Bel Geddes was a Broadway stage designer turned industrial designer. During much of his animation, his ideas stretched beyond the vision of most people. He encountered a part of apprehension toward his innovative ideas, many of which never left the drawing board. Yet, Geddes notions of Streamlining argon important to understanding public life. St in time Heller and Louise Fili (1995) write, Streamlining was at once the locomotive of progress and a metaphor for the fast tempo of daily life (p. 80). To Geddes, streamlining illustrated courage We are too much inclined to believe, because occasions have longsighted been d adept a certain way, that that is the best way to do them. followers old grooves of thought is one method of playing safe. But it deprives one of initiative and takes too long. It sacrifices the value of the element of surprise. At times, the only thing to do is to cut loose a nd do the unexpected It takes more even than imagination to be progressive. It takes vision and courage. Geddes deserves our attention because so many of his visions abide a part of our collective consciousness in the form of semiotic phantoms that endure the many changes that have taken place sense his age. motion-picture show borrowed from Dannysoars Geddes page. Norman Bel Geddes was born in Adrian, Michigan, in 1893 to a smashed family. But, by the time he was seven, his father lost everything in the stemma market and drank himself to death a few years later. Norman, his mom, and younger brother lived in poverty for the rest of his childhood. But his mother was a civilized woman and she shared her interest in the theatre and opera with her sons. Norman loved to draw and paint and his mother encouraged him (Russell, 1974, p. 8). During this time, they moved a lot. When Norman was in the ninth grade, he was expelled from school. A cartoonist whod heard approximately him helped him get into the Cleveland Institute of device. Norman also attended the Chicago Art Institute for a short time, but school really wasnt his thing. His besotted interest in stage and opera grew and soon he lay out his niche (Russell, 1974, p.10). Geddes most notable contribution to stage design was in lighting. Back then, the sole purpose of lighting was visibility.